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家常扣肉,速度学幻想:维利里奥、技能、艺术与后数字——瑞安·毕晓普(Ryan Bishop) | CAFAM讲座预告

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简介:速度学想象:维利里奥、技术、艺术与后数字——瑞安·毕晓普(Ryan Bishop) | CAFAM讲座预告...

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2019 列奥纳多科学、艺术与技术系列讲座

该讲座系列为中心美术学院艺术与科技中心年度“媒体艺术大师班”组成部分

速度学梦想:维利里奥、技术、艺术与后数字 |

Dromological Imaginations: Virilio, Technology, Art and the Postdigital

讲者:

瑞安毕晓普(Ryan Bishop)

日期:

2019年10月24日 周四

家常扣肉,速度学梦想:维利里奥、技术、艺术与后数字——瑞安·毕晓普(Ryan Bishop) | CAFAM讲座预告

时刻:

言语:

英文(配中文现场翻译)

地址:

中心美术学院美术馆学术报告厅

联合主办:

中心美术学院视觉艺术高精尖立异中心、中心美术学院艺术与科技中心、中心美术学院美术馆、新时线媒体艺术中心

协作:

列奥纳多/世界艺术、科学与技术协会

*本场讲座免费参加,请从美术馆西门进场

关于讲座

保罗维利里奥(Paul Virilio)对今世欧洲思维的首要奉献在于,他对视觉文明问题的诠释不只包含学术的、美学的、前史的、批判的、哲学的和人类学的,还包含尤为重要的社会构成和管理问题。关于维利里奥来说,视觉文明不只仅供给了了解视觉或调查图画的办法,它首要供给一种理论、今世文明行为和介入的批判性场域,在这里,有关权利联系的研讨建立在各个范畴,被继续质疑与检讨,从电影与精神剖析理论,再到性别研讨、酷儿理论、电视和电子游戏研讨、漫画、传统绘画艺术前言、广告和互联网的研讨,它们一起又潜在地相互搅扰。关于构建视觉文明以及常见剖析出题的权利联系的研讨,维利里奥一开始采用了不寻常的隐晦办法,在智识层面的获取构成了他研讨中的一种城市主义倾向,有志于科技、速度和军事。维利里奥以为,这些规划较大的力气是视觉文明的首要刻画和影响要素,而关于规范范畴家常扣肉,速度学梦想:维利里奥、技术、艺术与后数字——瑞安·毕晓普(Ryan Bishop) | CAFAM讲座预告的探求仅仅是它们的成果。

此讲座将评论维利里奥一些最引人入胜的理论论说,包含速度学(Dromology)、消失美学(the Aesthetics of Disappearance)、事端(艺术、技术、全球)以及“失神”(Picnolepsy),并将调查特雷弗帕格林(Trevor Paglen)、苏珊舒普丽(Susan Schuphanpli)、赫巴阿敏(Heba Amin)、维克多布尔金(Victor Burgin)等人的特定艺术作品,由此从艺术、技术和理论的视点生发出对“后数字”(Post-Digital)的认知。后数字是一种将数字作为前史特定现象进行理论化和语境化的办法。正如后现代性前史性地批判回应现代性相同,后数字也部分由数字界说,一起在批判性、时刻性维度与其进行接合。关于维利里奥而言,时刻性和技术性的特性特别重要:他对第一次世界大战中的图画/电影的构成,以及21世纪的技术前言是怎么运作与收效颇感兴趣。维利里奥不断回归到视觉文明,将其作为一个争辩场域,用以展现城市化、技术、军事化和速度所构成的扑朔迷离的现象。

关于讲者

瑞安毕晓普是英国南安普顿大学温彻斯特艺术学院全球艺术与政治专业教授,他与尤西帕里卡(Jussi Parikka)在此一起担任媒体与技术考古学研讨小组。他是15本书本的作者和修改,其间包含:《技术控制的梦想力:艺术、科技和军工前卫》(Technocrats of the Imagination: Art, Technology and the Military-Industrial Avant-Garde,合著,2020年)、《零度视界:巴特/布尔金和政治美学》(Seeing Degr烤箱ee Zero: Barthes/Burgin and Political Aesthetics,合著,2019年)、《跨过与逾越:一个关于后数码实践、观念和组织的转媒体艺术节解读》(A transmediale Reader on Post-digital Practices, Concepts and Institutio方天荫ns,合著,2017年)、《暗斗遗产:体系、理论、美学》(Cold War Legacies: Systems, Theory, Aesthetics,合著,2016年)。他一起是超越50篇期刊文章的作者变性人。他编著了两个书本系列:“文明政治读物”(a Cultural Politics Book)以及“技术性”(Technicities),以及杂志《文明政治》(Cultural Politics)。此外他仍是杂志《理论文明与社会》(Theory Culture & Society)的托付修改,并在其修改委员会任职。毕晓普的两本著作《文明政治学读本》和《波德里亚:追思与展望》均以中文出书。

《现代主义前卫美学与今世军事技术:感觉的技术》(2011)

Ryan Bishop, John Phillips和著

《暗斗遗产:体系、理论、美学》(2018)

John Beck, Ryan Bishop和著

《零度视界:巴特/布尔金和政治美学》(2019)

Ryan Bishop, Sunil Manghani和著

Leonardo Art, Science and Technology Lecture Series

Dromological Imaginations: Virilio, Technology, Art and the 家常扣肉,速度学梦想:维利里奥、技术、艺术与后数字——瑞安·毕晓普(Ryan Bishop) | CAFAM讲座预告Postdigital

Speaker:

Ryan Bishop

Date:

10.24.2019 Thursday

Time:

Language:领带

English (with Chinese translation)

Ve家常扣肉,速度学梦想:维利里奥、技术、艺术与后数字——瑞安·毕晓普(Ryan Bishop) | CAFAM讲座预告nue:

CAFA Art Museum

Co-organized by

CAFA Visual Art Innovation Institute,CAFA Center for Art and Technology, CAFA Art Museum, Chronus Art Center

In collab家常扣肉,速度学梦想:维利里奥、技术、艺术与后数字——瑞安·毕晓普(Ryan Bishop) | CAFAM讲座预告oration withLeonardo / ISAST

About the Lecture

Paul Virilio’s major contribution to contemporary European thought has been to demonstrate that questions of visual culture are not only academic and cultural, aesthetic, historical, critical, philosophical, and anthropological questions but also extremely important questions of societal formation and governance. For Virilio, visual culture does not simply provide ways to understand the visual or examine images; it offers primarily a critical site of theory and contemporary cultural action and intervention, where relations of power in this field of study are both established in everything from film studies and psychoanalytic theory to gender studies, queer theory, television and video game studies, comics, the traditional artistic media of painting, advertising, and the Internet, and potentially disturbed. Virilio’s initial ways into these areas of power relations that constitute the visual cultural scene and its usual analytic topics are odd and oblique, which provide them their intellectual purchase, emerging as they do from his work as an urbanist interested in technology, speed and the military. These larger forces, according to Virilio, are the primary influences on and shape气枪rs of visual culture with the standard areas of inquiry being mere effects of them.

This talk will work with s炼神劫ome of Virilio’s mo安庆师范大学st evocative theoretical formulations, including dromology, the aesthetics of disappearance, the accident (of art, of tec家常扣肉,速度学梦想:维利里奥、技术、艺术与后数字——瑞安·毕晓普(Ryan Bishop) | CAFAM讲座预告hnology, the global), and picnolepsy and will do so through an examination of specific artworks by Trevor Paglen, Susan Schuppli, Heba Amin, howVictor Burgin and others to get a sense of the Post-Digital as it pertains to art, technology 妇孺皆知and theory. The Post-Digital is a way of theorising and contextualising the digital as an historically specific phenomenon. Just as postmodernity addressed modernity in a critical and historical manner, the Post-Digital intends a critical and temporal engagement with the digital while remaining partly defined by it. For Virilio the temporal and technological specificity is primary import: he is interested in why images/cinema in World War I, for instance, look as they do and how technological mediations of the 21st century operate as they do and to what effects. Virilio returns consistently to visual culture as a site阿胶的成效与效果 of contestation 蟹爪兰的饲养办法和注意事项manifesting the larger concerns of urbanization, technology, militari家常扣肉,速度学梦想:维利里奥、技术、艺术与后数字——瑞安·毕晓普(Ryan Bishop) | CAFAM讲座预告zation and speed as inextricably intertwined phenomena.

About the Speaker

Ryan Bishop is Professor of Global Art and Politics at the Winchester School of Art, University of Southampton (UK), where he co-directs the Archaeologies of Media and Technology research group with Jussi Parikka. He is the author or editor of 15 books, including Technocrats of the Imagination: Art, Technology and the Military-Industrial Avant-Garde (with John Bec赤裸天使k, Duke UP, 2020), Seeing Degree Zero: Barthes/Burgin and Political Aesthetics (with Sunil Manghani, Edinburgh UP, 2019), Across and Beyond: A transmed方天荫iale Reader on Post-digital Practices, Concepts and Institutions (with Kristoffer Gansing, Jussi Parikka and Eliva Wilk, Sternberg Press, 2017) Cold War Legacies: Systems, Theory, Aesthetics (with John Beck, Edinburgh UP, 2016), and the author of over 50 journal articles. He edits two book series “a Cultural Politics Book" (Duke UP) and “Technicities (Edinburgh UP百变星君), as well as the journal Cultural Politics (with John Armitage and Douglas Kellner, Duke UP). In addition is a commissioning editor for the journal Theory Culture & Society (Sag杨小棺e) and serves on its editorial board. He also published two books in Chinese: A Cultural Politics Reader (co-edited with John Armitage and Doug Kellner) Beijing: Commercial Press (in Chinese, You Jianrong trans.. pp.368) (2018)and Baudril傅淼lard Now: Current Perspectives in Baudrillard Studies, Kaifeng: Henan University Press, 2008 (revised and expanded in English Cambridge: Polity Press 2009).

《Modernist Avant-Garde Aesthetics and Contemporary Military Technology:Technicities of Perception》(2011)

Ryan Bishop, John Phillips

《Cold War Legacies: Systems, Theory, Aesthetics》(2016)

Edite天津地铁线路图d by John Beck, Ryan Bishop

《Seeing Degree Zero: Barthes/Burgin and Political Aesthetics》(2019)

Edited by R忍者切生果yan Bishop, Sunil Manghani

Cafam

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